Rivers and railroads must abut matching tiles, but a village or forest or wheat field can be cut off by something else - and often you want to do that because each time you reveal a task tile, you draw a task token of the matching type and place it on that tile.Ī forest task gets a forest token, for example, and to complete that task, that forest needs to be as many tiles as the number on the token.
To start, a player draws three task tiles one at a time, placing them into the tableau. The game consists of hexagonal task tiles and landscape tiles, along with task tokens valued 4, 5, and 6 and boxes of stuff that you will unlock over the course of many playings.
The game includes two expansions: one that provides scoring objectives that all players can achieve, and the other gives a special power to each marker, such as using a flipped card twice or branching an extra time. Keep in mind that I've played only once, but I'm indifferent as to whether I play again. The game had no arc, no rising tension, but felt flat from beginning to end. I never felt like I was doing something clever - only incrementally gaining points bit by bit, then seeing who stacked them up better.
I imagine that you can plan better when deciding which station to add to a line, but in many cases I had only one option - although perhaps that was due to earlier poor planning. You're all getting the same cards in the same order. Our only interaction as players in the same game is to see how one another is scoring after a round, then.what? Make riskier moves for a bigger payout? Not really.
#Snooze restaurant stocks plus#
Once five pink cards have been revealed, you score that line - number of sectors entered multiplied by largest number of stations in a single sector, plus twice the number of times you've crossed the river - then shuffle the deck, get a marker you haven't yet used, and start a new round.Īfter four rounds, you score bonuses for stations that have been reached by two or more lines as well as the number of starred stations you've reached.Īs with many *-and-write games, Next Station: London is effectively a solitaire game. Sometimes you can connect to any station you want, and occasionally you can branch the line. Someone flips the top card of the deck, and you draw a straight line from the station that matches your marker to a station showing the symbol on the revealed card. In the game, each player has grid of stations on their board, as well as one of four different colored markers. Next Station: London from Matthew Dunstan and Blue Orange Games is a flip-and-write game, part of the *-and-write genre that largely exploded into being following the success of 2018's Ganz schön clever.From this question and others, I think the game is aimed at a European audience that would (in general) be more comfortable sharing such details of their life, but even so a lot of the questions fell flat, giving us no incentive to play again. In our game, a couple of questions gave you something interesting to answer that could become a topic of conversation a larger number of questions were uninteresting and one question ("How many intimate relationships have you had that lasted longer than a year?") drew an immediate "Nope!" from one of the players - and that reaction, even without an answer, made everyone uncomfortable, which is not what you want from a party game (unless that's the goal of the game, of course). In each of the game's eight rounds, you're presented with a question that has a numerical answer (e.g., "From 0 to 100, how much do you like horror movies?"), then you're challenged to place those answers in order from low to high without seeing what people wrote. I've already played and covered Kasper Lapp's Fun Facts from Repos Production in December 2022, but I gave it another go with folks who hadn't played.and the result was the same as before. As for what I played at BGG.Spring, so let's look at the three 2023 Spiel des Jahres candidates.
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